Category Archives: Science Fiction

I attend Escape Velocity 2018 (local)


There’s a sort of STEM training/Science Fair/Science Fiction convention in the building mode that hits right at Memorial Day every year called ESCAPE VELOCITY.  EV is now in its third year.  The people putting this on are the “Science Fiction Museum” The location is the Gaylord Hotel and Convention center, which is a huge facility located right on the DC Waterfront, near the Woodrow Wilson bridge over the Potomac.  The Gaylord is huge and ponderous– there were other events going on all weekend and the plethora of weddings and small events hardly noticed the weirdos in steampunk, anime and furry costumes sprinkled all over their lobby.  That’s one issue I have with this venue– the convention programming was divided into two major chunks– exhibitors in one hall that was almost as far away from the lobby as  you can possibly walk, and the standard panel discussions, art shows, movie programs, and receptions areas sort of most of the hotel in the other direction.

Escape Velocity is billed as being mostly educational:

Escape Velocity is a futuristic world’s fair to promote STEAM education within the context of science fiction using the fun of comic cons and fascination of science and engineering festivals.

Credit: Escape Velocity Website

This is the second time I have visited, but the first time I really gave it a hard look, so why not post about it?

Front

Back.  Open the pod bay doors, Hal

As the main instigator of ESCAPE VELOCITY is the Washington DC Museum of Science Fiction, you might expect that movie memorabilia and replicas would play a big part of the programming, and you would be right. The major displays were in the Museum display room (upstairs) and the larger pieces, like the 2001 pod you see above, were in the Exhibitor’s Hall. There were a lot of 2001 props at the convention, as the movie recently experienced its 50th anniversary.

Escape Velocity maintains a kind of smallish “museum of props” on display, many of which are remakes with more modern materials (some of the original stuff is falling apart).  Personally I don’t mind viewing remakes vice originals because the originals can get pretty ratty.  I remember Forrest J. Ackerman maintained a traveling road show museum of movie props and it was amazing how beaten up they looked up close, and that was 20 years ago.

Props and Costumes

Spacesuit, 2001

Spacesuit, Alien

Discovery One model from 2001

HAL 9000 display from 2001

Deckard’s coat, BLADE RUNNER

Ghostbusters Wagon, Ghost Busters

There certainly was some fan boy elements there and the Cosplay part of the program is really growing by leaps and bounds. Of note were the gangs of ghost-busters, contingents of HALO marines, raftloads of Reys from the last two Star Wars films (we kept a count and stopped at 10– it must be a very empowering costume).

March of the HALO guys, back

March of the HALO guys, front

Home made HALO cart

I have no idea how this guy managed walking.

The logistics of this outfit are mindblowing

Programming

Honestly, I didn’t see any panel discussions I felt like attending.  That were convenient to my schedule, anyway.  I like panel discussions but there aren’t a lot of them at EV and it seemed many of them were about the practical realities of cosplay.  I expect this will be a growth area for future conventions.  There was a film program like you might expect at a SF con; however the show times were sporadic and spread out.. no 24 hour film marathons.  I suspect this is a matter of not having enough volunteers.  Of course, there was a costume contest.  No comments on any of this stuff as I really didn’t attend any.

There was some Gaming

One of the big draws for me this year was the Cosmic Experience put on by Fantasy Flight Games. The designers of COSMIC ENCOUNTER (my favorite boardgame of all time) got together to bring a CE museum to the convention (all the versions of the venerable game that have existed over the years) and to run demonstration games for FFG, as well as demo the new rulebooks. Best of all, Peter Olotka, one of the original designers and Greg Olotka, who has been instrumental in bringing online play into fruition were both present! Since I’ve kind of known them online for a long time it was a real pleasure to meet them in the flesh.

Peter Olotka, talking to the FFG coordinator

The Earliest prototype of Cosmic Encounter, sent to Parker Brothers in 1973, I think, called UNIVERSE

some of the many versions of this game published over the years

Peter demonstrates “you’re never too old to get your butt kicked by kids playing your own game”

Greg Olotka kindly allowed me to take over his game using tabletop simulator.  The “Bill” there is BILL EBERLE, one of the three original designers!

Playing CE using Tabletop Simulator, which I actually own.

I didn’t win.  I went for a joint win with some English guy late in the game and naturally, he shivved me!  It is to laugh!

You can see the after action streaming video of this game on FACEBOOK as it was on Facebook Live at the time. You may need to be on Facebook, I don’t know. I was the orange VIRUS player. I took over from Greg Olotka, who was the SNEAK before the game I played in. They have me listed as the SNEAK, erroneously.

FFG, come back next year!  I would have gladly seen a demo of Star Wars Legions and played in an Armada tournament!  You have a captive audience!

Some organization was maintaining a game library.. for checking games out and playing at a cafe table area. Great idea! I hope that repeats for next year. I know that Steve Jackson Games was going to have a demo team showing off some variant of OGRE at this convention but it wasn’t at a convenient time for me. I would have enjoyed that. This might be a good convention for Games Club of Maryland, NOVAG, and Looney Labs to get involved in. They are all local and have a great attitude.

The Exhibitor Hall

This had a little bit of everything in it.. NASA displays, informational and educational handouts from dozens of organizations, movie props galore, a major presence by Tesla Motors (who had a demo model on site).

One thing they didn’t have very many of was actual vendors. You know, I like books, and a SF con is one of those places where I’m happy to plunk down money for actual printed, non e-book books from book vendors.. and there were only two of those present, and nothing with a huge selection. Still, I did buy something! Not all was lost.

AN UNEXPECTED DISCOVERY

Gar really wanted to play Starship Horizon, which is a multiplayer game experience where a series of networked computers run bridge screens on a star ship bridge while the players go through a mission assuming the roles of key Star Trek style crew — tactical, helm, science, comms.. etc. The captain has no screen but walks around roleplaying the captain. I’ve got a game on my Ipad called ARTEMIS which plays very similarly, but I’ve had no success ever playing it because I don’t know 5 people who would be willing to play crew on their networked devices.

This really turned out to be an unexpected highlight of the convention. Our crew flew two missions– failing miserably the first time and kicking butt the second. I loved it.. would even consider picking up a copy if I could set up the right mix of people to play it locally. We’ll see.  Many thanks to David Hernly (interviewed in that Twit TV piece) for running a couple more missions after the display closed, thus giving Gar and myself a chance to play!

So that was the last thing we did on Sunday during the day. Overall I had a pretty good time. I wish there were more book vendors, more movies, more panel programming choices and more gaming stuff. I think all of this could be solved with a few more volunteers willing to step up to the plate and run things, so I’m not going to whine about anything. Escape Velocity will grow into it’s potential over time– if not the giant venue they have chosen to hold it in. I recommend Escape Velocity next year!

Every bad phone pic I took on Flickr

A little actual footage of me playing the Virus via Tabletop simulator:

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Embarrassing Design Relics you can’t explain


What where these?

A long time back (about 14 years ago) I ran a game called Sergeant Slaughter in Bun Bun land.  The game puts players in the role of not-so-elite space patrolmen, all kitted out for a hard fight, encountering and pursuing a group of Alien terrorists called the Vilssh.  The game starts with the Vilssh exiting a scene of recant carnage via a form of extra-dimensional gate; as the space patrol squad pursues them down a corridor, the Vilssh phase out as the space station they are on starts to shift out of reality.  with nothing left to try the space patrol pursues them through the malfunctioning gate, and they all get sucked into … something different.  It’s not important what.. what is important for this post is that I developed a sort of whimsical set of science fiction tactical rules to play a game with (I had the concept long before the rules). I remember almost nothing about “Quien es mas macho” and how it was played. I recall it had special cards I used for everything and a couple of dredel-like tops that were used as randomizers. Oh, and I gave everyone rabbit’s feet. I think it was a pretty standard bucket of dice kind of thing, but I can’t say for sure– I wrote them up in a day and never edited them. There is no surviving copy I could find, even on paper. As I was rooting out my cellar after the tree disaster, i started throwing out some older boxes of junk and bingo, there was the box for Sergeant Slaughter.  I pitched the dollar store rabbits and cutesy dollar store terrain stuff, but kept the human figures.  And these cards.

A sampling of cards.

As I recall (I found the little tops too) there was a colored font on the labels on tops, with initials like “AD” “AR” etc. Given that a preponderance of the cards are like the one in the center, my guess is this was some form of activation and combat card rolled into one– and the combat system might have been run from the combination of cards in your hand and the little top results. Just how I did that is lost to time– I have no digital copy of the SF rules (called Quien es mas macho) and I know they were supposed to be jokey and cinematic. I find myself liking the flavor text on the random events cards, too. Why not? I wrote them, of course.

Cards and tops.. hmmm.. sure it’s silly, but how did I ever think that would catch on? It’s slow and clumsy at best.

Going through the deck and with the tops in hand, I’m trying to resurrect this system in my head. Since the only outcome of the randomizer (tops) was a series of Combat results-style initials (I’m reading AR as Attacker Retreats, AD as Attacker Defends, etc.) I remember my mindset back in the day.Each regular card has a range of actions (usually 3) to pick from.  So that tells me there was a set order of actions– Fight, Fight (Melee) Full Auto Fire, Move Full.. all these are fairly evident at the bottom of the card.  So the card gives a list of possible things to do in a turn, the top a series of initials, and the numbers a range of something.  Maybe there was a threshold somewhere.. printed out.. and these were numbers to beat in certain situations.  This raises all kinds of questions.  How long would executing a turn actually take, given that you have to select a card, check out the possible actions, and then threshold number in approrpriate font, and roll a little top an wait for it to stop.  THEN read the two letter result and see what he actually could do.

It all seems kind of slow and like it’s trying too hard to be clever.  I wouldn’t design something like this today, although I still love cards and odd randomizers (like tops?) to play with.  If you can come up with a better explanation for how all this came together, I’m all ears.  Unfortunately the only person who was definitely there and might have remembered how this all came together as a game tragically took his own life last year, so I’m just going to keep guessing.  I’m not going to throw this stuff away quite yet, but I doubt I’d use them as *I think* they were originally designed.  Spinning tops and cards are cool– but the way I think they were designed to work seems way too slow to be fun.

Mega Space Hulk, it’s a thing


So Garrett and I had opportunity to attend our second Second Saturday Scrum Club adventure, which is a rather high-falutin’ term for a bunch of older guys (and Gar) sitting around and jawing about games and stuff while we try the latest Miniatures concept.

The concept for this session was a brainstorm between Joe and Jared.  Both of them had fond memories of playing Space Hulk, the eponymous Aliens clone game from Games Workshop when they were much younger.  Read about the history and concept of the game in this great blog post, the author does the subject justice. My experience was minimal– I played one time (back in the 90s, probably with the second edition) and I remember it being very, very deadly for the Space Marines. Guess what? That memory’s pretty accurate! I was game to give it another shot, of course, and even own my own set from the the third edition that got published sometime in the 2000s.

The pile of expended “activation blip” tokens for the Gene-Stealers grew and grew as we cleansed the ship of their foul abomination.  Twas a long bloody event indeed!

So what makes our session particularly interesting is that most people play this game with one boxed set’s worth of materials, which really only supports two players (three or four if you split your forces, I guess, but it’s not really designed for multiplayer). Since six dudes on average show up for Scrummers, how to play a mega game with multiple players? As it turns out, easily, but you have to combine a lot of Space Hulk sets. I’m certain there were at least three present, although we played with a combination of old and new miniatures. Jared did most of the construction on the resulting very large map.

Giant map of 3 of the later vintage Space Hulk tiles, as designed by Jared Smith.  red dots are doors.  Triangles are entry points for Gene Stealers.  Green is the far edge where half our force started.  Photo from Joe Procopio’s blog post

As you can see, three sets makes a giant honkin’ layout indeed.

Final layout.  That’s Steve “Mr. Tekumel” Braun on the top right there.  Photo: Joe Procopio’s blog

Game play was pretty fast, and deadly chaotic.

Gar and I were on opposite ends of the Ship. Gar was near the insertion point of the landing torpedo. I was across the ship from him. Our goal was to support each other, claim a few victory points, and then bug out when the things started to get all twisty. To quote Luke Skywalker, “Things didn’t go as planned”.

Space Hulk is very deadly.. genestealers can spawn almost everywhere and even with the Blip Token mechanic, they come out of nowhere and just won’t stop.

Each squad/figure had 4 Action Points (APs) a turn, plus an additional 1-6 Aps per sergeant figure, per turn.  Entering  a room triggers an event from either “inner” or “outer” room decks.  VPs per objects found and there were two special VP events– finding the Chapter Librarian and extracting the genetic code of the dead Captain figure.

So the game cards try to funnel you to the center rooms. We discovered the Dead captain figure pretty early in the game. Unfortunately, he was in a room off of a single corridor with TWO Genestealer entry points, feeding right into the corridor. Having this down by MY end it was evident that I should make a big effort to rescue the captain’s genetic code. Unfortunately, all I could manage was to get slaughtered. My priest, whose job it is to extract genetic codes, got swarmed and killed in an eyeblink. It’s awfully easy to die in this game.

There’s the captain.. in a room right next to TWO genestealer entry points.  We got chopped into chutney trying to achieve the victory condition of extracting the Captain’s genetic code.

Fortunately things were going better a the far end of the board, where, despite bumping into just as many Genestealers, they did find and rescue the Librarian, they found some nice loot and a Chaos Marine!

This actually worked out well (initially) for our side, as the Chaos Marine popped in to a room full of Gene Stealers, and just fired away at the NEAREST TARGET..

Alas for us, an urgent message from home informed us that Audrey (my beloved) was locked out of the house, and we had to cut the evening short. At that point I was down to two functioning marines (both of them schlubs) and Garrett down to three. As we drove home, Garrett was ecstatic about how much fun the evening was– “What was that game called again, Dad?” “Space Hulk, it’s an oldie but a goodie..” “Space Hulk, huh? Who made that again?” (shaking head in disbelief, kids these days). “That would be GAMES WORKSHOP, son.” “Wow, man, we have to try more games like that.. Games workshop…

Oy!

Anyway, a big thanks to JOE PROCOPIO, once again our most excellent host, and everyone who attended– it’s not the game so much as the company, really (okay, the game helps too)– This is kind of a new experiment with getting some like-minded players together “of a certain age” and it really is a lot of fun for me. Surprisingly, Garrett is enjoying it as well, and he’s a youngster. Joe blogs about every event, like I do, and waxes far more eloquent than your humble servant.  Here is his latest blog post on the Space Hulk Mega Game.

My pictures can be found on the Flickr account here.  And who knows, maybe this slideshow thing will work this time (it requires Flash).

Thanks again to Joe and Jared for putting together this awesome layout and playing the Genestealer faction.

Kickstarter OGRE miniatures set one arriving


I’m happy to report that the Kickstarter package I backed, OGRE MINIATURES SET ONE, has arrived at the Casa, and it is everything I expected and more.

I backed this Kickstarter out of a desire to see Ogre miniatures back in production, even if for a limited amount of time.  I personally like this version of Steve Jackson’s OGRE far more in miniature form than in board game form.  OGRE Miniatures, the base game associated with the old metal miniatures, is without a doubt a workmanlike approach to the subject of a giant Cybertank being harassed by many flea-like smaller attackers. The OM rules reflect the board game OGRE origins very well, and are certainly easy, but not that sophisticated, either. I have used (older, metal) Ogre Miniatures with GZG’s Dirtside in the past and it works just fine. The important thing is to have the miniatures! That’s why I’ve purchased two sets with the recent SJG kickstarter– one with Blue Ogres and red small units and one colored in reverse.

The basic boxed set comes with 40 minis.. no, that’s not a typo or exaggeration.

The miniatures are plastic, the hard kind that uses Testor’s glue to assemble.  You’ll need an exacto to trim the smaller bits off the sprue and you’ll probably want to soak the finished models in soapy water to remove any trace mold release from the finished model before painting.  I think plastic is a good thing; the original, long out of print metal miniatures were not exactly cheap even in 1992.  With this kickstarter you get a ton of models, in just about the same scale, with just about the same amount of detail as the metal models.  It’s a win-win.

Large Red Ogre, a Mark III and a Mark V come in the box

For some reason Steve Jackson Games seems to think the color of the plastic is important. Thus it Kickstarted a basic red OGRE with blue small units set or the reverse, blue OGRE with red units. The red Ogre is shown above (unassembled). As I purchased two sets, I added the second set in reverse colors, e.g., blue ogre, red small boys.

Large BLUE Ogre, also a Mark III and a Mark V.

and here is the reverse….

GEVs, Heavy Tanks, Infantry, Missile Tanks, etc.  One in blue and one in red.

And here are the small boys, e.g., a sprue of GEV vehicles and a sprue of heavy tanks. (above)

Plastic Color really isn’t that important to me; my thought was I was going to field a force of Paneuropeans (which this set is) in yellow and one in red, much like the old Ogre Miniature rulebook depicted them. I know I did a BackerKit purchase of at least one more set (in green). I will probably paint them the Vatican colors.

Yes, OGRE miniatures set 2 did Kickstart recently and I took them up on their offer, but only one set (so far). I may expand this, as it is mostly Commune units and elements that got introduced in OGRE Shockwave. It’s a great time to get these kind of miniatures. I have always liked the OGRE visual design and it’s nice to have an option that isn’t too burdensome financially.

More on Mad Maximillian 1934, an ongoing project


Part 2 of 2.  In which I greatly expand on the Mad Maximillian 1934 material…

BRUMM Bentley Le Mans 30 Touring Car, an Ebay Purchase modified with a twin Vickers MG and two drivers from Sloppy Jalopy.

Mad Maximillian 1934 (MadMax34) is a very small scale skirmish game set in a dystopic past– that’s right, the past, during the Depression.  The publisher, Mana Press, doesn’t flesh out the back story very much, as I indicated in the previous post.   Just take it as a given that some form of world wide calamity has occurred some time after WWI, roughly corresponding with our Depression.  The setting has a decidedly English focus, which I like (although the publisher and the miniatures manufacturer are resolutely Australian).  I just don’t associate English country roads with Dystopia, which lends a little charm to the idea.  The theme of the game is car combat– on a much lower end technologically than comparable games from the past– such as Car Wars or games of that ilk.  The Interwar years are a favorite period for me, and MadMax34 is definitely positioned “in there somewhere.”  The rulebook, from Mana Press, is about 56 pages, with photographs on many pages and blueprints for cars and a turning template in the back part of the book.  As far as I know, there isn’t a printed copy of the rulebook available at this time, but I could be wrong.  I got mine as a watermarked PDF from Wargame Vault.  I don’t regret the purchase.  I can read the rules on my tablet, which is maybe slightly less handy than paper but that’s fine by me in the long run.

One of the two Eureka kits I purchased for this game. I modeled this on the GREEN MACHINE example in the book. Two rocket pods on a sliding sheet metal rack, and fixed forward facing MGs.

Mechanics:

In terms of game mechanics I don’t think MadMax34 is going to give anyone a serious headache.  They are dirt simple and “bucket of sixes” based.  I like that– not every game has to be about gun calibers and armor thicknesses and firing aspects.  The key mechanic is to roll a FATE roll and a FORTUNE roll.  The outcome determines if you pull off your slick maneuver, or flip your tin lizzy into a scrapheap.  Simply put, FATE = “bad things” FORTUNE = “good things”.

1936 Shelsley Walsh Hillclimb, Auto Union 5.3L C-Type. I fudged the year, as I liked the diecast model. Diecast conversions are a lot of fun– this one has two Lewis MG firing forward and either a couple of oil slick generators or paint sprayers (see red cans).

Taking an example right out of the rulebook, During the Movement Phase, Player A wants to make a tight turn.  Her vehicle is already damaged, which adds FATE dice (everything is 1D6 based, but Fate should be red and Fortune white for ease of play).  So she rolls a 3,4,5,6,2 & 6.  Like a lot of games using buckets of six siders, you count 5 and 6 results.  Player A counts 3 Fate here. 
Player A then responds with a Fortune roll of Vehicle Handling plus Driver Skill, which sorts out as: 3,6,4,1 & 6.  She scores two Fortunes.   THEN, subtract Fate from Fortune, and that’s the modifier of -1.  Yikes.  Go to Skidding test. 

“Old Number 3” Another fine diecast conversion, this from some Pacific Rim diecast manufacturer. Ford 32 basic black pickup, with Rocket tubes (2), Vickers mounted on hood, and some welded on extra armor here and there. I added a harpoon guy from Pulp Figures to give the vehicle a little verisimilitude.

Activation and Initiative, Turn Order, blah blah blah

In my  mind, there are only so many ways you can design a game that involves vehicles shooting at each other, in motion, even at lower speeds.  You have to take into account current acceleration, shooting, defending, maneuvering safely and at high risk, and what happens when you take damage or don’t make a turn.  That is the core of it.  I’ve played around at this myself– see: White Line Fever.  They are all equally valid, great ways of simulating these factors.  MadMax34 does a very good job of factoring in these elements in a straightforward fashion.  Initiative is easy.  The player moving at the highest Speed (at start of turn) Activates, or goes first.  If tied, the smaller vehicle goes first.  If tied, roll a danged dice, won’t you?  Activation leads to performing each of the three actions in any order the driver chooses: Move, Attack and Special.

A Brumm Bugatti type 30 (diecast, found on Ebay) with a Lewis MG up top and an improvised anti-tank rifle bolted on the left plays chicken with an oncoming Green Machine. I’m sanguine about this chances.

There are several nuances to movement and honestly I’m not going to go in depth with each one– a thumbnail would be: You can adjust speed up or down by one, with no problems.  You can STOMP on the brakes but these vehicles are ramshackle and you may need to check the car to see if it skids or not.  You can FANG IT (accelerate as fast as you can) but that also might cause the rather battered engine, which is likely running on corn squeezings these days, to explode or some other dramatic response.  Really, my favorite bit of these rules is the turning template, which is design elegance.

This is a PDF template in the rules, but you can order a laser cut version from THINGS IN THE BASEMENT (whose picture this is). I just ordered two of them. Click on the picture to visit their store.

Simply place the incoming (up facing) arrow aligned with the front of the vehicle, and twist the the adjustable (top) arrow in the direction you need to go. The farther you turn it, the more FATE DICE you have to throw to make the turn. I like this. It might be difficult to use in tight terrain but I’ll figure it out. There are special rules for special maneuvers like the bootlegger’s turn, and what happens when you skid or flip, but I won’t describe them in detail. Crashing is pretty bad in a MadMax34 vehicle, you basically roll to see how severe it is.. the consequences are rather tough on these (well used, poorly constructed) vehicles.

Click Me

The first model I bought from Eureka. This is a sport racing vehicle (generic “Flyer”) with a pintle mounted AAMG in the back. I love the figures– they are very dynamic. These kits are designed with a high degree of customization in mind; I went very basic with this one. Click on the picture to see the customization kit and other vehicle kits at Eureka.

Winning is a rather loose concept, and usually involves pounding the snot out of your opponents. There are scenario goals that determine victory conditions. There are about 4 scenarios in the rules (I think).

Vehicle Construction/Availability

MadMax34 comes with design-your-vehicle modules, just like the old CAR WARS game did. You have about four chassis sizes and each of them has a number of hard points assigned. The more hard points, the more creative you can be with what you strap on to the car to create mayhem with. Most of the vehicles I created had very few hard points– 5 or lower (five being average). I may have stretched the concept of “hard points” by including hand weapons, which I don’t agree would take up a mounting on your vehicle. I also add additional armor here and there and that technically is using a hard point as well– how many, I’m not sure. One of the reasons I hesitated jumping into this project was my perception that vehicles and drivers would be hard to find. That has NOT proven to be the case. A typical browse through Ebay will provide auctions for diecast vehicles that are perfectly within period. I have fielded a Bugatti Type 30, a Bentley Touring Car, a shabby 1932 Ford Pickup, and an odd “Shelby Walsh Hillclimber” that looks suspiciously futuristic but was historically built in 1936. Close enough.

Bentley Touring Car (1930), a diecast model, chasing a generic 3 Wheeler Cyclecar from 1st Corps (resin kit with metal bits). I’ll probably add more weapons to these or improvised armor, as both have hard points to spare. The Bentley is a BRUMM Diecast vehicle, easy to find on auction sites.

In addition, I highly recommend 1stCorps in the UK for period armor vehicles (if you want to build the largest vehicles in the game), they also have a section for pulp style vehicles (not many) with a lot of style. I picked up a generic 3 wheeler Cycle Car and put a dual Vickers on it, along with a gunner that is armed with a side arm. In addition, I picked up a WWI era dispatch motorcyle with a Maxim machine gun installed, and added some civilian touches.

WWI era BEF Dispatch motorcycle from 1stCorps.  I added a passenger figure Sloppy Jalopy, and painted the driver and gunner in a non specific “uniform”

Of course, you can also get miniatures from Eureka Australia or USA, under their small (but hopefully growing) Mad Maximillian line. The twist is you can always use the same kits to make more than one radically different vehicle. I’ve only touched the surface of customization, I want to build a flame thrower car next. The real difficulty is obtaining vehicle weapons (which I found from a number of sources) and especially drivers. The scaling between Eureka and 1stCorp isn’t a perfect match by a long shot, but when the drivers are sitting down, it’s hardly noticable. Stan Johansen (of Road Warrior 20mm fame, I’ve mentioned him on here before), also makes some 28mm driver and gunner figures– pretty rudimentary but it does the job nicely– and a paintjob hides a lot of things. He also has a ton of add on hand weapons like ATRs, shotguns and the like, so their figures are customizable, more so than Eureka or 1stCorps. In addition to THAT, Sloppy Jalopy has some very spirited and thematic looking drivers and passengers (the Tommy gunner on the back of the Motorcycle is one). You need to check those out!

Another look at 1st Corps three wheeler touring car, decked out for mayhem. I may add some more armor.

I don’t see terrain being a big obstacle. This game plays well on a 4 x 6 and even smaller space– I don’t recommend having more than 10 players due to the scale. Ground scale isn’t specified anywhere, but the models are large, and I forsee problems with table geometry. So maybe some craters, maybe some rubbled buildings.. a dirt road, some hills, dead trees, barbed wire.. I have all those already!

In conclusion

As I’ve alluded to, this has been a fun project to work on, especially the part about customizing and creating vehicles out of kits and diecast. I haven’t tested it yet but I plan to as soon as I move back in to my house. The vehicles were variably priced (the resin kits actually more expensive than the diecasts I found on Ebay, but more militant looking).  The rules are very straight forward and almost expendable, really.  You could play this with a game of your choice as long as you track the basic elements of road combat games– speed, shooting, protection, damage.. etc.  My only disappointment (and it is very minor) is that the period fluff is almost absent.  There is a long wheedling narrative at the front of the document but it isn’t a very conclusive or convincing depiction of the setting (can’t help kvetching, this is a favorite historical period of mine).  Other than that, I would recommend it highly.

STUFF:

Slideshow of all my conversions and kit vehicles built so far on flickr

Some Youtube “Project Videos”

From the rulebook, Mana Press. A collection of the Eureka Miniatures custom cars— except white lightning (second from bottom), which doesn’t seem to be a kit you can buy.

SOURCES MENTIONED in both posts

  • 1st Corps (WWI range and 20th Century Follies. Also some good individual standing figures)
  • Eureka Miniatures USA (and of course, Australia) The basic customizable car kits are produced by Nic Robson’s Eureka miniatures and Eureka USA for us Yanks. I highly recommend the custom parts kit you can purchase as an extra. You can also buy drivers and gunners (3 types) individually.
  • Company B is a company that sells period authentic vehicle mount machine guns– mostly twin mount Vickers and Lewis. I can’t recommend them highly enough.
  • Sloppy Jalopy sells a great line of 28mm drivers and passengers, right inside the period..
  • For individual pedestrian figures, try Pulp Figures. In scale and totally in period.
  • Copplestone’s gangster figures also work as pedestrians.
  • Hexxy Shop sells all kinds of interesting bits for vehicle conversion and customization, although their SF stuff is pretty futuristic.
  • Stan Johansen makes a Road Warrior line which is very futuristic but features drivers and gunners in 28mm that are dressed with minimal detail, so they work in the 1930s.

Simple Fog of War in Boom! Zap!


My plan was to debut the playtest game of Boom! Zap! (my pulp SF reworking of the old Rules with No Name engine) at camp this year, but there was such a clamor to run Frostgrave for another day and Big Danged Boats for another day that it kicked Friday’s game right off the schedule. Too bad, I had invested a ton of time and $$ purchasing and building hallway terrain from Gamecraft, and it looks fantastic (although I really need to work on a paint scheme for reuse). With that said it is very durable and I can use it for next year’s camp so it’s nothing wasted.

I love this stuff– it’s the Science Fiction Spaceship Corridor line from Game Craft, who makes a lot of laser cut wood gaming accessories. It’s durable, goes together with wood glue, and pretty much idiot proof. After you assemble it, it fits together nicely:

The idea behind this stuff is to use it for corridor and setting for a couple of games, one being BOOM! ZAP! (pulp SF) and the other SPY RUN (retro 50s, 60s and 70s spy game) both are 28mm skirmish level and both interact with the terrain (hallways) in a very specific way. One element I’ve been wanting to try is limited perspective based on terrain. Bear with me, this may sound complicated at first, but I think it will pay off in entertainment value.

I’m trying to prevent the God’s eye view benefit from playing factions interacting with each other in enclosed terrain (an outpost). YET! we are in a universe where things like recon probes, motion detectors and the like exist. So groups moving around should have some limited intel about other groups moving around. So prior to contact I create blip tokens similar to those used in the game SPACE HULK.

Each blip reads as a group of people or moving mass (like robots) in the complex or terrain. They enter the complex through three possible entrances (two airlocks, one underground shuttle). Initially, before they are revealed by moving into proximity with each other, all groups move as blips. As they move through the complex, they can, if they have the right equipment, send a probe droid ahead to recon for them for a certain amount of distance. The probe can (under an operator’s direction) move around corners and report back what it sees. It could be empty and likely will be:

empty hallway
Empty Hallway

Or maybe not!

In either case, the Referee takes a picture with his cell phone. He then displays it to the faction reconning the hallway.

Whoops, it is truly empty? What are THOSE?

Eventually as groups move closer together the blips resolve into groups and the hidden system isn’t needed. I just think this might be a fun addition to a skirmish game set in a world with a high tech level. background.

New OGRE Video Game Trailer for Steam Release


Oh yes, it will be mine.

Playtest Rules for BOOM! ZAP! a pulp SF skirmish game


Here is a playtest version of BOOM! ZAP! a very light hearted attempt at creating a set of workable 28mm PULP Science Fiction skirmish rules for tabletop games.

I’ve been looking for a very light set of rules for running a sort of “Space Port Bar” or “Cantina” game akin to the Blood and Plunder Tavern brawls but in a pulpier era for a while now, at least 2009. I’ve tried a few out but have been disappointed with a lot of them.  What you see here is a very, very high end look at the subject as I’m finding “Pulp” to be a much broader subject than people give it credit for. Do we mean Flash Gordon and Emperor Ming? Crash Corrigan and the Undersea Empire? Buck Rogers and Killer Kane? Do we mean John Carter and Planetary Romance? Do we mean the Skylark of Space? Do we mean the Rocket Man? Commander Cody? There’s a lot of subgenres that are evident, and ONE set of rules just might not cut it. So in an attempt to make a one size fits all approach to a very broad picture, I’m starting with a decent set of Western Skirmish rules, the old RULES WITH NO NAME that appeared in an old MWAN magazine way back in the day. This version has been Science Fictioned up a bit, and I’ve added a very broad brush attempt at Gunfire, Melee, Robots, Rocket Packs and Aliens. There’s so much I can do with this idea, don’t even think this is the final.. I’m adding to it as we go, consider this 1.0. I need to add explosions, malfunctions, space ships, beserk robots, planetary romance, more swordplay, anti-grav travel, and a host of other appropriate topics. This will be enough to get me started in a low key way.

If you want to get in touch with me with suggestions or questions, try me at misternizz@gmail.com

In the meantime, you can download BOOM! ZAP! here.

Pulp Science Fiction Miniatures 2/2


And here’s some more of the same series.

Discovery: Brother Vinni and Ganesha 28mm retro Science Fiction stuff


file under #smallwars

I recently made an interesting discovery.  I like my science fiction with a tinge of science fantasy, specifically of the pulp visual nature, prevalent in American culture from about the 40s to the 70s historically.  So I’ve been slowly pursuing a project you can see on the bottom right, under the heading “Science Fiction Bar Fight along the lines of the Draco Tavern” (Classic Niven Reference for the win).  I’ve posted on my retro SF efforts in the past on here.  Given the long winter of being homeless (see the post about the tree), I’ve had time to paint and have stuff painted.  My collection has grown dramatically.  Alas, as the Wargame Supply Dump has gone out of business I have jumped in and attempted to buy as much of his line as I can before it vanishes.

A lot of the current offerings in 28mm don’t have the exact right “fantastic feel” to them.. just a tinge of silliness and whimsy, like Buck Rogers and Flash Gordon. Like fins and bright colors and big oversized ray guns and and goggles and leather helmets and such. I’m always looking for figures like this– I’ve been buying and painting GAFDOZ for years and recently made the aforementioned binge buy of WSD before it folded tents. The problem is where do you go from here? That’s what this post is about. Will it be possible to find more 28mm figures with the proper wacky pulp retro look and feel? Well, yes, but I’ll have to go about it judiciously.

One element of the amorphous “pulp SF universe” that I feel is is important is robots. I mean the big rounded edged clanky guys you used to see in the old serials. I found some candidates that make perfect sense in this setting.

I discovered Brother Vinni, a 28mm figure manufacturer who specializes in resin cast Science Fiction, Fantasy and Historical figures.  I believe? the manufacturer is from Russia.  I really like Brother’ Vinni’s small SF Line, particularly the “Nuclear Sandlot” category.  The humanoid figures tend to be more slender than the figures I have to compare them to– mostly in the GAFDOZ range, which are “beefy”.  However, robots don’t have to be in any specific scale, even androids.  One assumes there will be a variance.
The Nuclear Sandlot robots appear to be sculpted with an eye towards the FALLOUT computer game. If you’ve played it, you’ll see what I’m talking about. I picked up the Flying Bot  figure which looks like the robot major domo figure from the game. It’s easy to put together.  You’ll have to do some standard prep actions before painting– soak in water overnight, and be sure to drill the hole out a little.  The figure doesn’t come with a stand, per se, but does come with a transparent peg to mount on a stand of your choice.

Here is my version, after cleaning, drilling and mounting on a MDF circular base. Good choice, actually– this model can get a little top heavy and you’ll want something heavier to keep it upright.  I ended up painting the robot a gun metal color overall, with some bronze highlights, a bronze colored security weapon and bright red lenses on the security camera arms and main ray gun face.  I gave it a sort of thinned out black ink to give it a little grime and depth, and a couple of coats of medium shiny sealer– I’m giving all the pulp stuff a shiny coat because it seems to fit the subject.

I also picked  up two Observer Bots which also seem to be inspired by FallOut.  I plan to make these part of the game– any character with a comunications rig sculpted on it can use an observer bot to see down a hallway.  These tiny little floating soccer balls have a perfect look for pulp

Same approach to cleaning, drilling and mounting.  The observer bot has a little whip antenna that has to be attached, be careful, this will get away from you.  The hole for the stand up flight pole was totally filled in with resin so I had to drill it out carefully.  The model has holes in it for some sort of whisker antennas (four of them) but these were not included.  I suppose someone could heat up a piece of sprue to stretch out and make them from scratch, but I didn’t see the point of it.  That’s my only complaint about Brother Vinnie’s kits.. don’t advertise an element of a model in the assembled pictures that isn’t provided in the final product!

Last robot I got is ALSO inspired by FallOut, I think.  It matches one of the standard robot types found in the game, and Uncle Vinnie just calls this “Robot“.

This was probably the easiest figure to clean up, assemble and paint. The overall aesthetic is kind of like a pint-sized Robbie the robot character from Forbidden Planet.  He’s going to make a decent robot butler or some other kind of servant.   I also mounted him on MDF, painted an overall gun metal with bronze highlights, and gave him a little grime (thinned black ink) and a semi-gloss coat like the robots above.  “Robot” fits in well with the pulp figures I already have, being somewhat tiny but then again, who says robots have to be huge hulking figures to be useful?  Nobody, that’s who.

Now, on to some figures that I loved, loved, loved in the adverts, but the reality was kind of a mixed bag.  At least you have the bottom line up front.  On to Ganesha Games 28mm Science Fiction line, being manufactured and distributed Alternative Armies.   I was very intrigued by the latest releases that were recently trumpeted on the Alternative Armies website about Lord Phalag and his companions, Psi-Knights and Combot combat robots.   Lord Phalag is a Baron Harkonnen looking chap in a floating chair, looking very corrupt and dissolute, and slightly evil. He has an enforcer brute companion named Graul Granite who reminds me of the Thing from Fantastic Four, and some female alien type modeled to look like she has some form of psychic power or whatnot named Skarra.


(Image: Alternative Armies)

I was in as soon as I saw the floating chair. Now that’s a great sculpt. Very decadent looking.

Also of note were a gang of Psy-Knights waving about some sort of light energy beam sword weapons. Hmm. Wonder who these guys are supposed to be? You can take your guess:

Image: Alternative Armies

Well, I had to have those guys, too. I was pleased that Alternative Armies will through in a “Combot” robot with each purchase from this line and got one of those, too.

Now, here’s the rub. These are beautiful sculpts.. very pulpy, nice detail. I want to build and paint these. This is what showed up at my door.

No instructions. No bases. Nothing. Just kind of a jumble of parts. The feet aren’t even attached to a slot to go on a slotta style base. Nothing. The figure of Lord Phalag is my favorite, but I’m going to have to figure out how to put this thing together. Worse, I’m going to have to figure out the flying base too.. I know there are companies that sell these, but apparently Ganesha is not one of those. So how do I base them? (BTW, the website DOES say “sold without bases”.. and it’s my fault for jumping on this without reading, I admit that up front, but I wanted this thing to work.. and thus enthusiasm overcame common sense).

Well, it’s going to take a lot of work to make these figures work. I suppose I’ll have to find some slotta bases (I don’t have any). The figures are cast without anything at all on their feet so I expect I’ll have to drill and pin to make the figures stable on a base of any kind. The Chair figure of Lord Phalag is the big disappointment. I’ll have to buy a flying base of some kind (no idea what will work, they don’t say and they don’t sell one) and the resin part is pretty smooth. There’s some metal bits to finish out the figure but the resin is so smooth something tells me I’ll be drilling and pinning there as well. I’ll make it work but it won’t be a fast process.

In summary, it’s a mixed bag. I like the sculpts and detailing of everything I’ve purchased lately, but the Brother Vinnie models came together significantly more easily than the Ganesha Games stuff will. Everything seems to fit well with other pulp figures I already have, so I’m pleased, but grumpy about all the work I’ll have to do for the Ganesha stuff.

What if I programmed a 3 Day long SF Film Festival?


I like Letterboxd.com. It’s about movies and making lists, which seems to be a very human activity. You can editorialize all you like, and share it with your buddies. As a thought exercise, I like to occasionally make a “Film Festival” list around a genre theme.

For a hypothetical Science Fiction Film Festival, I posit a long weekend, starting at Oh Dark 30 on Friday. Here is almost exactly 3 days of programming, not quite in any order. I did mix up the sub-genre a little.. some are classics, like War of the Worlds, Planet of the Apes, and Omega Man. Some are somewhat redundant, like Last Man on Earth (I’d play this back to back with its superior 70s replacement). Some are newer and thought provoking, like Darko and Convergence and Primer. Some are just low impact and entertaining, like Moon and the Europa Project. You’ll notice no Star Treks, Star Wars, Matrices, and other smash hits here. I’d argue they are probably only tangentially science fiction any more and more like science Romance. Still, there’s some good choices that would take up about: 35 movies times an average 2 hour running time divded 24 hours making almost 3 days exactly. We all know the program wouldn’t be that rigid– we have to allow for potty breaks, eating, time to switch movies, make announcements, etc. So this list would realistically be trimmed back between 3 and 4 movies for an actual 24/7 film festival. What would I cut? That becomes the question.

ROGUES: An Anthology by G. Martin and G. Dozois, Reviewed


RoguesROGUES by George R.R. Martin

My rating: 4 of 5 stars

One of the best reasons to read a themed anthology like this is that it gives you a peek at authors that you either already like or haven’t discovered yet. ROGUES delivers on this promise nicely. This is my first anthology of (mostly) SF/F writers edited by George RR Martin, though not my first by Gardner Dozois. The theme is “Rogues”.. those people who aren’t good, aren’t bad, but mostly out for themselves in the most amusing way possible. Martin didn’t just plow the field of fantasy and science fiction for this book– there were some great examples from the mystery and historical fiction genre, too. I was surprised how densely packed this anthology is. I won’t call out every single short story in the book, but I definitely will mention the ones that I thought were standout:

“Tough Times All Over” by Joe Abercrombie
Well, it’s no secret that I’m a big fan of Joe Abercrombie, I haven’t been stinting on his praises. Tough Times all Over reads like a continuous moving shot in a motion picture– a very important package is robbed from a courier, and exchanges hands multiple times through the story before it culiminates.. clever structure and illustrates the theme nicely with Abercrombie’s trademark dry wit.

“What Do You Do?” by Gillian Flynn
One of my favorites in this anthology was the story of a sex worker turned con-woman and spiritualist encountering what is, possibly, a real haunting. Or maybe not. Her wonderfully blase ending leaves the reader wondering. By the author of Gone Girl, which definitely flavored this piece.

“The Inn of the Seven Blessings” by Matt Hughes
Where has Matt Hughes been in my reading life? I loved this story– all about a very personable and human thief encountering a caper with tiny god, possession, raving cannibal beasts, and a treacherous acolyte. Told in a very endearing, humorous style that echoed Shea or Vance.

“Bent Twig” by Joe R. Lansdale
My favorite shit-kickin’ literary genius from East Texas delivers up a short Hap and Leonard story complete with beat downs, ambushes and ass-kicking. Great fun.

“Tawny Petticoats” by Michael Swanwick
Sure, I had read Swanwick before, but nothing from the universe of Tawny Petticoats, and her odd New Orleans with hired zombie labor, wizards, witches and werewolves. Loved this, want to see more.

“Provenance” by David W. Ball
A fun little art heist with a great twist ending. Not the best, but very readable.

“A Year and a Day in Old Theradane” by Scott Lynch
One of two stories I read twice… mostly because I just discovered Scott Lynch and the Gentlemen Bastards series. This is a somewhat different setting.. a retired thief in a city run by Super-Wizards gets set an impossible task by one of the ruling council. Fantastic setting, I hope there are more of them in this universe.

“Bad Brass” by Bradley Denton
A contemporary humorous mystery, about a ring of thugs flogging stolen band instruments in a Texas town. The OTHER story I read twice. It was amusing, funny and kept me engaged throughout, and ends on an upbeat note.

“Ill Seen in Tyre” by Steven Saylor
I like Saylor’s Gordianus the Finder series, and the blase mention of Fafhrd and the Grey Mouser in this story had me hooked– really funny ending and perfect for the anthology theme. Kind of light.

“The Curious Affair of the Dead Wives” by Lisa Tuttle
A Victorian feminine “Watson” character playing off a decidedly vaguely formed replacement Sherlock. as they investigate a ring of suspicious burials and disappearances. Much of the narrative returns to “a woman making it in a man’s world” themes, but the story passes over this to deliver a very mysterious tale of hypnotism and malice.

“How the Marquis Got His Coat Back” by Neil Gaiman
A shortish visit into the Neverwhere universe with Neil Gaiman. A very amusing narrative of an adventure of The Marquis of Carabas, the smooth talking rogue from Neverwhere, as he searches for his stolen coat in an adventure featuring mushroom people, an Elephant, and his sworn enemy. Quite amusing.

The other stories were certainly worthy, or at least that’s what my short term memory tells me. If I can’t remember much about them two weeks after reading them, draw your own conclusions. As it turns out I have already bought some follow on novels from some of the new discoveries I made in this anthology, so mission accomplished, Mr. Martin. You win this round!

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Ready Player One (A Review)


Ready Player OneReady Player One by Ernest Cline
My rating: 4 of 5 stars

Hmmm.. anti-hero geek stumblebum, living in a dystopic future, fighting off an evil corporation, whilst co-existing in the omnipresent virtual reality world addiction that the global population seems to be addicted to? Why does it all seem so familiar? Because we’ve read this stuff before, back when “Cyber punk” was new, in the late 80s. The difference is that the author, Ernest Cline, can weave a fantastic narrative larded with self-referential humor, unabashed 1980s nostalgia and a fourth wall of 80ish geek/hipster speak. It’s hard to explain unless you grew up in that era (I did). Every page is like old home week, with the author patiently explaining this or that cultural relic from a bygone age in the most earnest terms. It’s all very amusing being lectured to by the protagonist about what the Tomb of Horrors (TM) is or how to win playing Joust (TM). That is both a great strength and a great weakness. I loved this novel, and found myself chuckling reading it, but my children (who are growing up in an era with little in common with it) can’t understand why I think it’s so great. So I fear my four stars is for me and my kind alone. I appreciated the world building– having spent extensive time in Second Life, there was much to the notion of virtual worlds that I found familiar (I suspect Cline has spent time there, too), including the paranoia and potential disasters of intersecting real life with virtual life. I enjoyed it for my own part and all my 80s geek brethren, but I wonder if everyone else gets it. Steven Spielburg optioned RP1 for a movie and is actively pursuing making it, so we’ll see how well this story will play on the big screen. It’s exciting enough visually but cyberspace has never been a good cinematic story (so far). I wish them success.

I like RP1, and will definitely read more of Mr. Cline’s work– I have his next book (Armada) in the queue as we speak. I hope it translates well. By the by, I listened to an Audiobook version of RP1 and then read it again (which I do from time to time when I want to make sure I didn’t miss something). The Audiobook is narrated by Wil Wheaton, a genuinely great guy, but he comes off a bit.. I don’t know what.. smarmy? for the material. Just an observation. I like him and his works, but the narration was just a little too “cool kid making fun of myself” for me.

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The Empire of Man series, by Weber and Ringo, so far…


We Few (Empire of Man, #4)We Few by David Weber
My rating: 4 of 5 stars

I have just finished the Empire of Man/Prince Roger series (so far), from book 2 March UpCountry to book 4 We Few. This is my second attempt at a David Weber series– the first being the Safehold series, which created such a poor opinion that I abandoned it mid-read. I know that SF fans seem to enjoy Honor Harrington and I admit I haven’t read any of those. I probably should have started there. Anyway, with the metaphorical bad taste in my mouth after Safehold I tried the March To the Sea (#2 in the Empire of Man series) since, well, the library had it in and it looked interesting. I’m very glad I did! This is more or less a review of the series (less the first book, the events of which I picked up from the rest of the easily enough).


March to the Sea (Empire of Man, #2) by David Weber

March to the Sea is the 2nd novel in the story of Prince Roger and his entourage of bodyguards and staff after they crashlanded on Marduke, a backwater planet in Imperial Space. Roger realizes they are in a wilderness on a hostile planet with only one spaceport that is very likely in hostile hands (after collusion with a competing empire, the Saints, is proven). The Prince and company will have to seize the spaceport and commandeer a ship to escape from Marduke. Unfortunately it’s on the OTHER side of the planet, and they will have to march their across a wilderness of various tribes and cultures of the Mardukans, a giant race of four armed natives. Along the way they face two barbarian hordes– in the first book and in the second. They encounter civilized Marducan cities once over the mountains (of the first book) and train them in the art of warfare– initially with pikes and then with rudimentary rifles.


March to the Stars (Empire of Man, #3) by David Weber

In March to the Stars, Roger and his diminishing company of bodyguards use their alliance with a rudimentary industrial city state (Quern’s Cove) to create a small fleet of ships capable of sailing across the ocean to the continent with the spaceport (and dealing with the ship-killing giant sea creatures on the way). On the far continent they encounter a cannibal cult, mountain tribes, settle a war and take on the star port. At this point Roger discovers a coup has taken place back on Earth and that he has been framed as the architect behind it.


We Few (Empire of Man, #4) by David Weber

In We Few, the now few survivors of the story (so far) are left to travel back to Old Earth and establish a counter-coup. This story is more political/social then the previous two (at least) and features a whiz bang of a space battle (very well written) towards the end, when the authors jump between various POV characters on both sides during the long engagement. There is much left undone at the end of the We Few and I suspect strongly there will be more novels in this series.

The Empire of Man series (so far) is a great read– full of adventure, sympathetic characters and interesting settings. As novels, they are far from perfect– I’ve noticed Weber stating/restating/re-re-stating expository bits again and again before, and he does that here as well, but this time, the trend is tempered by his collaboration with Ringo. Many plot points seem added in to fill out space and move things along. The core theme of the stories is redemption– redeeming Roger, who starts off as a spoiled bratty prince with little experience in the real world and turning him into a tough-as-nails, decisive leader. Along the way the authors get a little preachy from time to time and some of the dialogue is a tad stilted.. hell, even corny in places. But that’s just fine. They make up for it with big ideas, big battle scenes and evil villains galore. The human relationships depicted in the series are less well written– Roger seems to engender fanatical devotion (and love) in almost every sympathetic character he meets, which is mighty convenient for the story most of the time. Roger’s transformation into a steely-eyed hero with phenomenal enhanced reflexes and combat skills helps, too.

These are minor quibbles. I’d definitely read the next book in the Empire of Man when it hits the street– it’s been a while since I’ve read a good space opera, and the Empire of Man series delivers in spades.

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The Martian (a book), by Andrew Weir, Reviewed


The MartianThe Martian by Andy Weir
My rating: 4 of 5 stars

The Martian, by Andy Weir, is the author’s first published novel. Weir took an interesting route to publication– he started the Martian in 2009 and once offered it for free, than as a .99 Kindle book. Ha! If I had only known– not that I begrudged paying full price for it.

If you haven’t figured out the plot from the movie trailers that are just now showing up online, this is indeed a story of a Mars mission that encounters calamity and is forced through an odd series of mischances to leave a crewman behind them on Mars. The crewman, Mark Watney, had been left for dead. Now he has to figure out a way to survive for the long haul on Mars– until the next Mars mission shows up. Very fortunately for us readers, fate has picked the perfect person to survive on Mars. Watney is a botanist and a mechanical engineer, and very well suited to take what he has left (a Habitat – HAB.. which was designed to hold people for 35 days, now he has to live in it for years, some rovers and a lot of junk left over from the aborted mission) and survive for a truly long haul stay.

The novel is really a series of vignettes about solving problems associated with this particular situation, and how Watney bends his engineer/problem solving mind to solving problem after problem with an endless supply of cheerful optimism. Herein lies the success of this novel– Watney tells us his story as a series of log entries, usually right after something goes spectacularly wrong or right. He preps us for the next problem by running through the math and science of the problem and then provides an AAR for each disaster as it arises.. usually in a humorous fashion (“Well, that didn’t kill me, or I wouldn’t be typing this, would I?”). The strength of the novel– Watney’s personality and Tony Stark like attitude to fixing problems, is also its weakness. There are other characters in this novel, and they are largely shortchanged in Watney’s favor, reduced to being the means of explaining the current peril and powerless to do anything about it. We barely get the same read on them as we do on Watney.

With all that said. I loved the Martian.. I mean that.. I really, freaking, LOVED the Martian. I bought the ebook and read it at night under the covers. I started it and was halfway done in less than a day. I reread portions. Yes, there will be a movie this Fall and from what I can see they are more or less faithful to the novel. I look forward to seeing it.

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