Hmmm.. anti-hero geek stumblebum, living in a dystopic future, fighting off an evil corporation, whilst co-existing in the omnipresent virtual reality world addiction that the global population seems to be addicted to? Why does it all seem so familiar? Because we’ve read this stuff before, back when “Cyber punk” was new, in the late 80s. The difference is that the author, Ernest Cline, can weave a fantastic narrative larded with self-referential humor, unabashed 1980s nostalgia and a fourth wall of 80ish geek/hipster speak. It’s hard to explain unless you grew up in that era (I did). Every page is like old home week, with the author patiently explaining this or that cultural relic from a bygone age in the most earnest terms. It’s all very amusing being lectured to by the protagonist about what the Tomb of Horrors (TM) is or how to win playing Joust (TM). That is both a great strength and a great weakness. I loved this novel, and found myself chuckling reading it, but my children (who are growing up in an era with little in common with it) can’t understand why I think it’s so great. So I fear my four stars is for me and my kind alone. I appreciated the world building– having spent extensive time in Second Life, there was much to the notion of virtual worlds that I found familiar (I suspect Cline has spent time there, too), including the paranoia and potential disasters of intersecting real life with virtual life. I enjoyed it for my own part and all my 80s geek brethren, but I wonder if everyone else gets it. Steven Spielburg optioned RP1 for a movie and is actively pursuing making it, so we’ll see how well this story will play on the big screen. It’s exciting enough visually but cyberspace has never been a good cinematic story (so far). I wish them success.
I like RP1, and will definitely read more of Mr. Cline’s work– I have his next book (Armada) in the queue as we speak. I hope it translates well. By the by, I listened to an Audiobook version of RP1 and then read it again (which I do from time to time when I want to make sure I didn’t miss something). The Audiobook is narrated by Wil Wheaton, a genuinely great guy, but he comes off a bit.. I don’t know what.. smarmy? for the material. Just an observation. I like him and his works, but the narration was just a little too “cool kid making fun of myself” for me.